The Best Of A Bad Bunch/Pellethead (Gnu Inc)


After the sublime genius of Asbo Derek’s “Ulysses Twin”, Vic Godard’s Gnu Inc label unveil a – well not exactly new discovery as they’ve been around for twenty-five years – Middlesbrough’s Pellethead. They attribute their longevity with the following statement – “We are in the band and have been for such a long time because it is a laugh. We laugh a lot. We take the piss a lot. It is good.”

“The Best Of A Bad Bunch” -  not exactly the most positive title for a compilation – is a resume for Pellethead’s silver anniversary – including a special re-recording (“Hear Me Now”) and a brand new offering – “Skips”.  There will be some out there who may already possess all the other songs on this ‘ere LP, but for the vast majority that is the rest of us, the album is an invigorating breath of fresh (ish) air.

The opener, “Social Creeper”, guides us towards the theory that there is tragedy behind Pellethead’s comedy. The song’s subject desperately tries to play down the ongoing collapse of his life by claiming that “Nothing’s Going Wrong” and vainly attempts to laugh his woes away – but the fragile veneer disappears as the laughter mutates into unstable hysterics.

“Cornerstone Blues” takes “Remember Walking In the Sand”, punks it up and transports it with a huge size twelve boot up its middle eight from its beach in the US to crash land on a cold night in Middlesbrough – drugged up, drunk on thirteen pints, with two cigarettes left – and like the Shangri-Las – pining for a lost love.

Musically it is fair to say that Pellethead’s no-fi scratchy punky primitive approach aligns itself with early Fall recordings – but the band’s penchant for self-degradation and waving the flag for unbridled irreverence places them worlds away from the many plagiarists of the late M.E.S. and company.

This is borne out on “It”. The quite plainly daft attempt at a US accent seems to intimate a light-hearted jibe at American art-punk.  Talking Heads maybe? The “It” is omnipresent and of varying textures – but whatever “It” is remains a mystery once the track reaches its conclusion. A song glorifying its own meaninglessness and pissing itself laughing at the thought of hack reviewers trying to justify its raison d’etre.

The already classic “Maguire” features Pellethead with an irresistible stomper of a track paying tribute to a character who succumbed to a prison term and ultimate loss of life from drug abuse. Vic Godard was so taken by this number that Subway Sect covered this at various shows last year. “Maguire” and “David Christ” – the tale of the mysterious phenomenon who was “Jesus In A Leather Jacket” with an “Elvis Presley Grin” are the most immediate selections from the album, but the rest of “The Best Of A Bad Bunch” reveal themselves as worthwhile growers.

The video to “Hear Me Now” appears below as a link – there may be a subtle connection between the video’s storyboard – and the protagonist’s retort in the song against those who felt he was only fit to be a bus conductor or a dustman – but then again, probably not.

This year has seen more Record Store Day releases than any other, but “The Best Of A Bad Bunch” is the only album that declares itself available to the public -”The Day After Record Store Day”. Pellethead and Gnu Inc may well have their reasons for this unique marketing ploy – or it may well be just a laugh.

Good old scratchy slightly untogether punk that brings a huge smile to my face. I’ll be up for reviewing the next compilation in 2043.

"Hear Me Now" video.....


Lee McFadden 8/4/18

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